Natalie Myrick is a Brooklyn-based playmaker/noisemaker/troublemaker with a focus on original works in development and contemporary musical theatre. Natalie has performed regionally and Off-Off Broadway, written musicals for young audiences in South Korea, worked with a production company on the West End, and played with the Rolling Stone Rock Room band on an Alaskan cruise ship. She is a composer and lyricist for the mime ballet At The Barre with playwright SMJ. Her composition “Cool” won the 2022 Write Out Loud Contest and was recorded by Frozen’s Aisha Jackson. Select theatre credits: Bridges of Madison County (Axelrod), Ocean In A Teacup (Theatre Row), Darlin’ Cory (Alliance), Reverb Theatre Arts Festival (Roundabout), Playdate (Dixon Place), But I Met You On TV (Two Bimbos). @noots.mcgoots
iSexual orientation describes a person's enduring physical, romantic, and/or emotional attraction to another person.
iOne’s internal, deeply held sense of gender. Some people identify completely with the gender they were assigned at birth (usually male or female), while others may identify with only a part of that gender, or not at all. Some people identify with another gender entirely. Unlike gender expression, gender identity is not visible to others.
iRacial identity is the qualitative meaning one ascribes to one’s racial group, whereas ethnic identity is a concept that refers to one’s sense of self as a member of an ethnic group. At their core, both constructs reflect an individual’s sense of self as a member of a group; however, racial identity integrates the impact of race and related factors, while ethnic identity is focused on ethnic and cultural factors. We celebrate our Keys’ intersectionality and understand that creating one’s racial/ethnic identity is a fluid and nonlinear process that varies for every person. Many folks will identify with more than one background while others will identify with a single group more broadly.
Unions & Affiliations